After fourteen years, I returned to my electronic project Amorphine with a new album titled Echoform. This is not a nostalgic comeback, but a natural continuation of my long-term development — both musically and technically.
During the development of Rytmik Studio, I created a wide range of original algorithms for synthesis, rhythm generation, and sound processing. Over time, these concepts evolved beyond the application itself and became new custom instruments and effects, which I have been presenting on this blog.
Rytmik Studio was the final entry in the Rytmik music composer series, which I developed over many years. The project originated on the Nintendo DSi as a simple tracker and gradually evolved into a lightweight but capable DAW, designed not only for beginners. Check Rytmik Studio
These very tools were used extensively during the production of the Echoform album.
Although the album was not created directly inside Rytmik Studio, its sonic character is strongly influenced by instruments whose technological foundations originate in the algorithms developed for Rytmik — later expanded, refined, and adapted specifically for my own music production workflow.
Echoform is an electronic journey through space and inner states, moving between energetic, pulsating tracks, dreamy and weightless passages, and melancholic, introspective moods. Sonically, it draws inspiration from synthwave, 1980s electronic music, 1990s trance, trip-hop, and downtempo, without aiming to fit strictly into genre boundaries.
Many tracks were created alongside the development of the tools themselves — often starting as test material that gradually evolved into finished compositions. In this sense, the album also serves as a document of a particular stage in my exploration of DSP, synthesis, and experimental sound design.
For me, Echoform demonstrates that music software development and music creation are not separate disciplines. Tools born out of technical curiosity can naturally grow into music — and the music, in turn, shapes the future direction of those tools.
Žádné komentáře:
Okomentovat